We are excited to announce that the Sam Noble Oklahoma Museum of Natural History is participating in the Oklahoma Cultural Heritage Trust’s Top 10 Most Endangered Artifacts competition. We have nominated the Spiro “lace”, a rare textile fragment from the Spiro mound site in eastern Oklahoma dating to around A.D. 1400. The goal of the competition is to bring attention to Oklahoma’s endangered cultural heritage present in museums, libraries, and archives across the state.
We need your help! Please vote for us – and any other objects that interest you! https://www.surveymonkey.com/s/KJTCTT8
Fabric and textiles have been an important part of the human experience for millennia for making clothing, blankets, and ornamentation — and yet few archaeological samples exist because of their rapid deterioration. The “Spiro lace”, a unique textile fragment from the Spiro mound site, represents an important pathway to learning about the native history of Oklahoma. This extremely delicate artifact is very important for its rarity and research potential. From this small piece of fabric, we can learn about an ancient artistic and technological tradition of textile production that has been largely lost to history.
The textile fragment consists of alternating horizontal bands of compact plain twining and single element interlacing (Brown 1996). The compact plain twining bands serve to bind together broader bands of openwork. The two main openwork techniques are plain oblique interlacing (braiding or plaiting) and bobbin lace work. The latter includes two elements, a circular hole and a cross in circle. The fabric is blackened from oxidation or burning.
The specimen was conserved by Joan S. Gardner in 1979. When she found it, the fragment was glued to a yellowed mat board. She noted that the material was too brittle to remove the glue in which it had been saturated and created a Plexiglas mount with a central cut out. The mounted portion of the specimen measures 43 by 16 cm.
Gardner hoped that the at some time in the future a way might be found to remove the specimen from the mat board without further damage. Today, 34 years have passed. Now is the time to re-assess the conservation needs of this exquisite artifact.